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Post by partcynic on Aug 1, 2007 11:53:47 GMT -5
Ah, that's no problem. Although if you'd given it a 4 and put Smashed, Wrecked and Showtime as 10s there might have been one. As for my cutoff point, it would be between my '2' and '1' rated episodes - so between Dead Man's Party and Get It Done if you look at my current list on the first page of the thread. As a general rule, here are what my ratings mean: 10,9,8,7 - Just excellent film. These episodes work in just about every way, and what flaws may be present are either tiny or outweighed by the good stuff. 6,5 - Really good episodes, and still better than everything else on TV. A few more flaws may be popping up, but they're still great. 4 - My last band of 'good' episodes, where I'd want to see them multiple times. Entertaining and fun, but bigger problems are starting to crop up and detract from the overall experience. 3 - Eps I'm happy to see once or in the context of an arc/season, but I wouldn't normally select these if I wanted to sit down and randomly watch some Buffy. Somewhat boring/slow/silly, but there might be a few good bits tucked away somewhere. 2 - Okay to watch now and then, but huge portions of these shows just don't stand up to scrutiny. Home of very silly or poorly conceived episodes, that could be improved by chopping the ep's running time in half. Still not atrocious, though. 1,0 - Bad episodes that I could happily never see again. Not only are they boring or unpleasant to watch, they usually have massive thematic or character problems and damage the series' established universe. If you had only seen these episodes, you might wonder why people like Buffy at all.
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Post by partcynic on Jun 16, 2012 15:03:46 GMT -5
I was browsing through the archives here and had completely forgotten this thread - yet it seems to still be getting a steady trickle of page views (whether that's just random clicks or a couple of people constantly refreshing, I don't know). I wouldn't mind adding to it, and I've realised that I never actually laid out the criteria by which I arrive(d) at my marks. So, here are the things that influence my scores (for "Buffy", and for any other TV show/film), with the odd example thrown in for good measure. What Makes a Good Buffy Episode?Plot: What's the episode's story? The narrative should be interesting, make sense, and hold the viewer's attention throughout. Being unpredictable is also a positive, but any twists must be believable and not just there for cheap shocks. Many episodes lose out a little on this criterion, due to either having too little plot, propelling the story via constant coincidence, or being full of holes. *** Theme: Most "Buffy" episodes exist to communicate a specific message. So, what's the message, is it worth saying, and how well is it said? "The Gift" scores highly here, while the simplistic morality tales in "Dead Man's Party", "Beauty and the Beasts" and "Beer Bad" drop them down quite a bit. *** Pacing: The episode's writer has 42 minutes to tell their story. Will they use that time to create something gripping, or something plodding and dull? "Lover's Walk", "Hush" and "Earshot" all win on pacing, as they incorporate a lot of content without ever feeling rushed. In contrast, most eps in S6 and S7 fail on this point as they unravel so incredibly slowly. There's nothing wrong with being relaxed or leisurely, but if your story is simple, economic writing is a must. *** Humour/Wit: It goes without saying that if an episode is designated as comedic, it needs to be funny. However, dramatic episodes also need humour (to provide shelter for the audience - and if the writer is skilled enough, it can reflect and comment upon the drama, thus enhancing the heavier/more emotional parts). Humour was never really an issue before S5 - bar one or two, the comedy episodes were always funny, and even the darkest stories had lighter moments. Post-"The Body", the show really started to struggle with jokes, either relying on constant repetition of things we'd heard before (Anya being socially inappropriate; the nerds making a pop culture reference) or introducing new elements that failed abysmally (the wedding party in "Hell's Bells"). *** Character Development and Consistency: Characters should have clearly established personalities and behave within the confines of those personalities. They should grow and change as a result of their experiences, but this growth needs to be accompanied by a discernable, on-screen 'line of development' showing the audience how event 'Y' impacted character 'X' and modified their behaviour/attitude. If bizarre and/or inconsistent behaviour occurs, it needs to be explained by the plot (e.g. Buffy becoming crazy because Kathy was sucking her soul in "Living Conditions"). Inconsistency should not be handwaved with broad excuses ('well, X was angry/depressed/not thinking straight'), or the classic thought-terminator 'but that happens in real life!' *** Originality: It's hard to be 100% original, but new spins on old ideas are always welcome. "Hush" scores highly because its story hadn't been done before, while "Wrecked" and "Hell's Bells" sink because they're facsimiles of things that anyone aged 16-plus will have seen hundreds of times. "Dead Things" and "Help" plummet here because they plagiarise other "Buffy" eps, which is pretty embarrassing - "Him" does the same, but at least has the guts to admit it. *** Acting: As with humour, not really a problem until S5/S6. There were minor issues here and there (David Boreanaz in S1; occasional woodenness from Marc Blucas and Amber Benson in S4), but the acting of the core four and most of the supporting cast was almost always excellent. Michelle Tractenberg, Clare Kramer and Charlie Weber all hurt S5, but the real damage came in S6, when SMG stopped caring - and AH, NB and ASH all followed suit. By the end of S7, the only actor who wasn't doing a poor job was James Marsters. *** Make-up and Effects: A number of S1 eps (and most shows featuring the Oz-wolf) get pulled down by poor or unconvincing costuming, while the cool looks of monsters like Gnarl and the Gentlemen push their respective eps up. Not a huge factor, but one that ices the cake. *** Camerawork and Cinematography: How is the episode filmed, blocked and lit? These factors were wonderfully handled throughout S1-4. In S5, the lighting got simpler and scenes became saturated with sickly yellow hues, and in S6/7 we started getting poorly composed shots, nighttime scenes where it was hard to see what was going on, glare - and worst of all, amateur jangly-cam ("Touched"). *** Titillation: If all else fails, go for something that targets those base impulses: excellent fight choreography; explosions; attractive people not wearing much; sex scenes. Not the kinds of things that could ever make for great episodes, but they can make the difference between an unforgiveable episode and a merely poor one. *** Add those together, and that's pretty much it, at least for me.
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Post by cyclica on Jun 19, 2012 16:08:20 GMT -5
I was browsing through the archives here and had completely forgotten this thread Me too. Regarding my old episode list, it needs updating. I need to rate 'the body' higher (it's now my second favourite episode after 'restless'), and I now have a much higher regard for the angel s2 darla story-arc episodes too. I may even rate 'she' higher. ... did I really rate 'orpheus' a 9? It's mostly rubbish! I've realised that I never actually laid out the criteria by which I arrive(d) at my marks. So, here are the things that influence my scores (for "Buffy", and for any other TV show/film), with the odd example thrown in for good measure. This is a really great idea for a post, and should hopefully get some discussion going. If I may make a few comments- What Makes a Good Buffy Episode?Plot: What's the episode's story? The narrative should be interesting, make sense, and hold the viewer's attention throughout. Being unpredictable is also a positive, but any twists must be believable and not just there for cheap shocks. Many episodes lose out a little on this criterion, due to either having too little plot, propelling the story via constant coincidence, or being full of holes. I basically feel the same way, though I don't mind coincidences too much. Theme: Most "Buffy" episodes exist to communicate a specific message. So, what's the message, is it worth saying, and how well is it said? For me, having any kind of theme or metaphor at all is a plus, even if it's told poorly. I've seen so many tv shows where each episode is nothing more than 'defeat the villain of the week'. Pacing: The episode's writer has 42 minutes to tell their story. Will they use that time to create something gripping, or something plodding and dull? "Lover's Walk", "Hush" and "Earshot" all win on pacing, as they incorporate a lot of content without ever feeling rushed. In contrast, most eps in S6 and S7 fail on this point as they unravel so incredibly slowly. There's nothing wrong with being relaxed or leisurely, but if your story is simple, economic writing is a must. Poor pacing bothers me the most when it's season / story arc wise rather than episode-wise. A story arc should not be made to last a season if it basically consists of nothing but a villains introduction ep, a villains defeat ep, and nothing inbetween. I've seen shows that have had entire seasons where you could skip everything between the first and last episodes of the season *coughsmallvillecough*. For the buffyverse though only btvs season 7 is really guilty of this, and I wouldn't have minded the slower pace if only we could have spend more time with the main characters during that time. But after years of decent season-long pacing, it just makes s7 stand out more when it fails. Humour/Wit: It goes without saying that if an episode is designated as comedic, it needs to be funny. However, dramatic episodes also need humour (to provide shelter for the audience - and if the writer is skilled enough, it can reflect and comment upon the drama, thus enhancing the heavier/more emotional parts). Humour was never really an issue before S5 - bar one or two, the comedy episodes were always funny, and even the darkest stories had lighter moments. Post"The Body", the show really started to struggle with jokes, either relying on constant repetition of things we'd heard before (Anya being socially inappropriate; the nerds making a pop culture reference) or introducing new elements that failed abysmally (the wedding party in "Hell's Bells"). For me, an episode doesn't have to make me laugh. Part of what I like about the show was that, whenever a character intentionally makes a funny comment, it isn't there purely to make the audience laugh, it's there to show that the character has a sense of humour, and as such I don't mind if the joke fails. I'm basically watching for the story/drama, and any time the show makes me laugh, it's a bonus. That said, when a character or situation exists soley to be comic relief, and they're not funny, what you're left with is an annoying waste of time. Like most of 'hells bells'. Or cho-ann. Character Development and Consistency: Characters should have clearly established personalities and behave within the confines of those personalities. They should grow and change as a result of their experiences, but this growth needs to be accompanied by a discernable, on-screen 'line of development' showing the audience how event 'Y' impacted character 'X' and modified their behaviour/attitude. If bizarre and/or inconsistent behaviour occurs, it needs to be explained by the plot (e.g. Buffy becoming crazy because Kathy was sucking her soul in "Living Conditions"). Inconsistency should not be handwaved with broad excuses ('well, X was angry/depressed/not thinking straight'), or the classic thought-terminator 'but that happens in real life!' Agreed. A big part of what I love about buffy/angel is how much the characters change and develop, I'd dare say these shows are among the best written shows I've seen in that regard, if not the best. There have been a few instances of bad writing character-development-wise (spuffy springs to mind), but even when characters are taken in a direction I think they shouldn't, I still love the fact that the characters change at all. Originality: It's hard to be 100% original, but new spins on old ideas are always welcome. This is another area in which I'd say buffy and angel better than your average shows, even within the scifi/fantasy genre. I'd say originality is a plus in general, though I wouldn't put it as one of my major criterea for making a good episode. Even an unoriginal story can be entertaining if the characters are engaging (or even better, if they are reacting to a situation differently than they did in a previous episode with the same story, since it gives us a chance to see how they've grown/changed). Acting: As with humour, not really a problem until S5/S6. There were minor issues here and there (David Boreanaz in S1; occasional woodenness from Marc Blucas and Amber Benson in S4), but the acting of the core four and most of the supporting cast was almost always excellent. Michelle Tractenberg, Clare Kramer and Charlie Weber all hurt S5, but the real damage came in S6, when SMG stopped caring - and AH, NB and ASH all followed suit. By the end of S7, the only actor who wasn't doing a poor job was James Marsters. Hmm, I didn't notice any especially poor acting in buffy or angel. Certainly compared to some other shows. ...Well except for clare kramer. She was terrible. But she was endearing with it, and playing a non-human character she made it work for me. Make-up and Effects: A number of S1 eps (and most shows featuring the Oz-wolf) get pulled down by poor or unconvincing costuming, while the cool looks of monsters like Gnarl and the Gentlemen push their respective eps up. Not a huge factor, but one that ices the cake. Has there ever been a good werewolf costume, even in movies? Related to this, I've never liked the cgi on the show. Sometimes it works, like vampires turning into dust (or was that a practical effect?), but other occasions like the dead demons becoming blobs in 'life serial' just make me cringe. And the council blowing up with a cgi explosion makes me hit fast-forward. Camerawork and Cinematography: How is the episode filmed, blocked and lit? These factors were wonderfully handled throughout S1-4. In S5, the lighting got simpler and scenes became saturated with sickly yellow hues, and in S6/7 we started getting poorly composed shots, nighttime scenes where it was hard to see what was going on, glare - and worst of all, amateur jangly-cam ("Touched"). On angel too, the Camerawork/Cinematography seemed to peak at season 2 and go downhill (though it was never as bad as buffy s7). I don't understand how a show can have it's lighting/sharpness deteriorate like that, unless maybe it was a budget cut that forced them to use substandard equipment. Titillation: If all else fails, go for something that targets those base impulses: excellent fight choreography; explosions; attractive people not wearing much; sex scenes. Not the kinds of things that could ever make for great episodes, but they can make the difference between an unforgiveable episode and a merely poor one. I personally would put fight choreography as more of a major factor than those others, but then, I'm a bit of a fight scene snob. Buffy and angel have always had some of the best fight scenes I've seen on tv, now if only they'd be willing/allowed to show some blood I'd have no cause for complaints. Add those together, and that's pretty much it, at least for me. That's a very comprehensive list of criteria, good job! Though if I may add two more of my own- Crossovers- Maybe this counts as a base impulse, but I love seeing characters from one show appear on the other (when it's done well anyway). And I have to applaud any occasion where there is a crossover of story, as well as just characters. Continuity- The more the better. ...So long as it's not overdone. A lot of tv shows run out of ideas towards their final years, and try to bring in viewers by bringing back past characters, but s7's 'back to the beginning' theme is so blatant it almost excuses this. But still, did we really need to see the mayor again?
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Post by partcynic on Jun 21, 2012 14:14:36 GMT -5
I'm happy to hear the Darla arc has grown on you. Those eps are my favourite "Angel" material, and some of the best done for either show. Also kind of pleased to hear about "She" - parts of it really suck (and it's obviously one of the weaker eps of S1), but some other stuff is thoughtful enough to raise it above the very worst of the series. Thanks. I'm surprised we never had this discussion before, since it's central to the whole rating and reviewing business. That's a good point. Even if it's bad, it's good to know there was some thought behind the final product. That said, because my ratings are a "Buffy"-only scale (and if I ever get round to it, "Angel"-only scale), I don't really factor my opinions of other TV shows into it. I figure most other programmes would average around the 1 or 2 mark, meaning that I'd end up having the give almost all the "Buffy"-s 7+ scores. Yeah - the two things feed into each other. If your season arc is slowly paced, then the episodes relating to it are likely to be accordingly plodding. Agreed. Yes! This is certainly one of the things that held/holds my continued interest in the show. It also really helps that most of the character slips are confined to the last couple of seasons - the only really egregious one from the high school years is "Dead Man's Party". The core group is usually very good. The first time I saw major character (excluding Dawn) acting that made me cringe was in "Grave". Alyson looks pained by her horrid dialogue and SMG half-asses her 'I wanna see you grow up!' speech. I'm so glad I'm not the only one who has issues with Clare Kramer. She was nicely threatening in "Intervention" and "Tough Love", but the rest is mostly horrible. Glory comes across as smart and powerful when reading the shooting scripts for early/mid-S5, but CK's acting means that none of it is apparent on screen. She way overdid the shrieky ditz part of the character, and omitted most of the bite. Touche! I've always thought the CGI was decent for TV FX circa 1996-2003, but the two examples you list are definitely amongst the worst stuff they did. Not sure about "Angel", but I think that Joss pulled Michael Gershman (the director of photography for S2-4 and bits of S5, possibly S1 too) from "Buffy" to "Firefly" when that launched - explaining why the visual quality suddenly dropped. I think budget cuts were part of it, too - I'm rewatching S5 now, and so much of the lighting is terrible. Everyone looks jaundiced, and the standard nighttime scenes have the same look as the climax of "Helpless", which was deliberately underlit to create tension. Definitely. The one thing I can hand-on-heart say I liked throughout the show's run was the fight choreography. Cheers! I agree with you about Crossovers and Continuity, though I would be tempted to include the former under the 'base impulse' category (as you suggested) and Continuity as equal parts of plot, theme and character development/consistency. No, we didn't! It at least made sense when the First appeared to Faith as the Mayor, but the "Lessons" scene with Spike just didn't work at all.
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Post by cyclica on Jun 25, 2012 14:45:27 GMT -5
Also kind of pleased to hear about "She" - parts of it really suck (and it's obviously one of the weaker eps of S1), but some other stuff is thoughtful enough to raise it above the very worst of the series. I still find She to be one of the worst, if not the worst episode, I just don't find it that bad anymore (or deep down either). I guess I don't really hate any angel episodes anymore... though I've lost a bit of respect / patience for the angelus scenes in s4. Then you've got those eps like Orpheus and Damage which are part terrible and part awesome, making them hard to rank. I figure most other programmes would average around the 1 or 2 mark, meaning that I'd end up having the give almost all the "Buffy" -s 7+ scores. ^ That's a little harsh. I love btvs and ats but I wouldn't consider them miles and miles above most other tv shows. I'd like to give shows I haven't seen the benefit of the doubt, even if the adverts didn't look all that great. Btw, slightly off topic, but have you ever watched farscape? It's the only show I regard in equal quality to buffy and angel, and hold to the same standards. It had a somewhat rocky first season and some dodgy special effects, but beyond that I always think of it as being on par with buffy and angel, certainly when it comes to character development and ongoing storylines (though I suppose it's too different a show to really compare). The core group is usually very good. The first time I saw major character (excluding Dawn) acting that made me cringe was in "Grave". Alyson looks pained by her horrid dialogue and SMG half-asses her 'I wanna see you grow up!' speech. The only time I had a real problem with any of the mains was buffy in Gone, though that was more the voice-over than the actual acting. Continuity as equal parts of plot, theme and character development/consistency. I guess you're right. I tend to think of continuity seperately, even though it is covered by the other 'sections'. the "Lessons" scene with Spike just didn't work at all. It didn't make sense story-wise, but I loved it on it's own. Can a single scene be regarded as a guilty pleasure?
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Post by partcynic on Jun 30, 2012 5:53:09 GMT -5
Fair enough. I'd personally give "She" a 4, putting it above all but 3 or 4 eps from "Angel" S3, and equal to most of S4 and S5. "Damage" is down there (maybe a 3), and "Orpheus" somewhere in the middle. I tend to subscribe to Sturgeon's law here - 90% of any medium is garbage, and even those that start well will almost inevitably become garbage (as we saw with "Buffy", and I would say with "Angel" too). While I don't think "Buffy" is the absolute pinnacle, there's certainly very little on TV that can touch S1-4 (when taken as a group). The main issue is that very few shows can withstand critical analysis, and it's the ones that can that I tend to gravitate towards - especially now that scripted works have been eroded by reality television. I haven't ever seen Farscape, but I have heard consistently good things about it, though. I think that the voice track in "Gone" was badly recorded and mixed, as it doesn't sound like Buffy is actually present in her scenes. It's weird given that they got it right with Marcie on a smaller budget. Sure, why not? In S7, you have to take all the pleasure you can find. *** From the earlier post: I've been doing a "Buffy" rewatch, and just saw "The Body" yesterday. I think it might actually drop in my ratings (only by a point though - its acting and construction remains brilliant). If I'm criticising most of S6 and S7 for being slow-paced slabs of plotless emoting, it's only fair that their parent episode also takes a hit. "OMWF" will probably go down too, but aside from those, it looks like everything else will remain where it is. That said, I kind of want to push the Dark Willow eps up for being entertaining despite their stupidity, but if the coming viewing is anything like the last few, I won't find them entertaining at all.
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Post by cyclica on Jun 30, 2012 14:39:10 GMT -5
Fair enough. I'd personally give "She" a 4, putting it above all but 3 or 4 eps from "Angel" S3, and equal to most of S4 and S5. Wow I didn't realise you disliked s3 onwards so much (or maybe I just forgot). Would you be interested in having a discussion about angel s3, maybe starting a new thread? I haven't ever seen Farscape, but I have heard consistently good things about it, though. I'd recommend checking it out. Sure, why not? In S7, you have to take all the pleasure you can find. In that case, I choose to enjoy the scene of giles just about to be hit in the head with an axe, while ignoring the parts of that story before and after it. I've been doing a "Buffy" rewatch, and just saw "The Body" yesterday. I think it might actually drop in my ratings (only by a point though - its acting and construction remains brilliant). If I'm criticising most of S6 and S7 for being slow-paced slabs of plotless emoting, it's only fair that their parent episode also takes a hit. I don't think 'the body' should get penalized because of the s6/7 storylines that sprung from it - s5 was supposed to be the final season, it's not like 'the body' was written with s6's story in mind.
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Post by partcynic on Jul 1, 2012 8:49:59 GMT -5
Well, remember that from me, the only bad grades are 0s and 1s, so I'd have quite a few episodes from S3-4 in the 'okay' range. S5 would average out at the 4/5 point, making it better than S3 and S4, but significantly below S1 and S2.
I think we have chatted about this briefly before - I'm up for a thread on it, but I'd need to rewatch the episodes again to offer arguments beyond vague generalisations (and I want to finish "Buffy" first, then do "Angel" S1 and S2. I might actually use the opportunity to pick up on those "Angel" reviews from a couple of years ago). With the exception of "Heartthrob", "That Vision Thing", "Fredless" and one or two others, S3 was a disaster in my eyes (I'd say "Buffy" S6 is much better written). S4 was built around a single story that ultimately failed, and S5 was basically a massive attempt at cleaning up that couldn't undo all the damage in only 22 eps.
Apologies - my comment there must have been unclear. I won't be dropping "The Body" down because of the bad stories that sprung from it, but because it's a slow, plotless episode full of emoting that doesn't progress or develop anything (like 90% of S6 - that's the connection I was trying to make with the 'parent' comment). Factor in the failed theme and Willow/Xander's OTT reactions, and it just can't stand with the series' top-class material. It's still a great work (unlike S6, the emotion is incredibly powerful and real), but it's a very surface-level episode that has little else to offer - in fact, I now think it's probably the contender for the show's 'most overrated' mantle.
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Post by cyclica on Jul 5, 2012 16:52:04 GMT -5
... S3 was a disaster in my eyes (I'd say "Buffy" S6 is much better written). I never had any problem with s3... well except linwood and gavin being pale imitations of holland and linsey... but that aside, I'd consider it far above s6 (and maybe btvs s5). I'd love to know when you've got around to watching s3, so we can elaborate on our views. "The Body"... it's a slow, plotless episode full of emoting that doesn't progress or develop anything (like 90% of S6 - that's the connection I was trying to make with the 'parent' comment). Well it's a 'special' episode, a one-off, the story occurs in the episodes before and after it, and 'the body' is basically highlighting a short space of time in between, not normally highlighted on a tv show. At least that's how I see it, and I don't think the lack of plot or progress should be held against it in this occasion. It's not as though it's a failed episode, it just doesn't follow the usual formula. Factor in the failed theme and Willow/Xander's OTT reactions, and it just can't stand with the series' top-class material. It's still a great work (unlike S6, the emotion is incredibly powerful and real), but it's a very surface-level episode that has little else to offer - in fact, I now think it's probably the contender for the show's 'most overrated' mantle. I'd agree about xander and willow's reactions (and anya's) being over the top, but I'd like to know why you find it a 'failed theme'. I'm glad you still consider it a good episode, and I'd agree that it is in a way a 'surface-level' episode, in the sense of missing some elements you'd expect from a typical btvs episode, but I'd argue that that isn't a bad thing.
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Post by partcynic on Jul 6, 2012 10:51:48 GMT -5
S6, for me, was (mostly) mediocre ideas executed badly (of course, nothing would ever make the magic addiction good) - but I still get/got what the writers were trying to say and why they made the decisions they did. Angel S3, on the other hand, is full of the type of concepts and plotting I expect to be trained out of people in their first creative writing class. Buffy S5 is way above it - rework the Key arc and include more standalones, and it would sit very comfortably with Buffy's first four seasons. S6 also had the excuse of being the next step in what was a readily apparent and consistent decline in quality - Angel S3 came from nowhere after two excellent years and spoiled a lot in a very short space of time. Sure! I'll let you know - but bear in mind it may take a while. I still have 18 Buffy S6 eps to do, Buffy S7, and then Angel S1 and S2. Agreed. I will be dropping the episode in my ratings, but only by a point (to a 7, which means it's still great television - just not the best of Buffy). My perspective: put simply, "The Body" is a story about a group of young innocents coming to terms with the horrors of death after the sudden, unexpected passing of their collective mother figure. Problem is, the non-Dawn characters aren't innocent, have already encountered death and mortality multiple times, and Joyce wasn't the gang's collective mother figure. She was a friend's mum, and that's about it. Thus, Xander and Willow (and to a lesser extent, Anya)'s reactions read as false, manufactured and over the top. If this ep had aired in S1, it would have all made perfect sense (and I'd score it a 9, possibly a 10), but by S5, it was just too late for this theme/story to work convincingly (or for the impact of Joyce's death on non-relatives to be anywhere near as pronounced as it was). EDIT: Okay, now I'm amused. I made almost the exact same argument on this episode six years ago on this very thread. This is what I get for not going back and reading everything properly! buffytvsliveson.proboards.com/index.cgi?action=display&board=buffytvs&thread=1133&page=1#5868Yeah - it does something new and interesting, and does it well - I certainly don't have any significant ill will towards it. It's just that I personally find the 'old' structure to be a much better one; and eps like "Hush" and "Restless" were also able to do something radically different without being surface-only offerings.
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Post by partcynic on Aug 26, 2012 5:56:33 GMT -5
I've now gone back and edited the opening post to represent my most recent ratings. A few episodes dropped a point, and one went up a point, but there were no major changes.
Since the list I've got is ordered by rating, I thought it would also be good to post them by episode order, which I'll do here.
6 1x01 Welcome to the Hellmouth 6 1x02 The Harvest 6 1x03 Witch 5 1x04 Teacher's Pet 6 1x05 Never Kill A Boy On The First Date 8 1x06 The Pack 7 1x07 Angel 4 1x08 I, Robot... You, Jane 6 1x09 The Puppet Show 5 1x10 Nightmares 5 1x11 Out of Mind, Out of Sight 9 1x12 Prophecy Girl
Average = 6.08
***
5 2x01 When She Was Bad 5 2x02 Some Assembly Required 9 2x03 School Hard 7 2x04 Inca Mummy Girl 4 2x05 Reptile Boy 8 2x06 Halloween 6 2x07 Lie To Me 5 2x08 The Dark Age 7 2x09 What's My Line, Part One 7 2x10 What's My Line, Part Two 2 2x11 Ted 4 2x12 Bad Eggs 8 2x13 Surprise 9 2x14 Innocence 5 2x15 Phases 8 2x16 Bewitched, Bothered and Bewildered 10 2x17 Passion 4 2x18 Killed By Death 8 2x19 I Only Have Eyes For You 5 2x20 Go Fish 9 2x21 Becoming, Part One 9 2x22 Becoming, Part Two
6.55
***
7 3x01 Anne 2 3x02 Dead Man's Party 6 3x03 Faith, Hope and Trick 4 3x04 Beauty and the Beasts 6 3x05 Homecoming 8 3x06 Band Candy 4 3x07 Revelations 9 3x08 Lover's Walk 8 3x09 The Wish 6 3x10 Amends 4 3x11 Gingerbread 6 3x12 Helpless 6 3x13 The Zeppo 5 3x14 Bad Girls 4 3x15 Consequences 9 3x16 Doppelgangland 7 3x17 Enemies 9 3x18 Earshot 7 3x19 Choices 7 3x20 The Prom 8 3x21 Graduation Day, Part One 8 3x22 Graduation Day, Part Two
6.36
***
5 4x01 The Freshman 2 4x02 Living Conditions 8 4x03 The Harsh Light of Day 7 4x04 Fear, Itself 4 4x05 Beer Bad 6 4x06 Wild At Heart 5 4x07 The Initiative 4 4x08 Pangs 6 4x09 Something Blue 10 4x10 Hush 5 4x11 Doomed 7 4x12 A New Man 3 4x13 The I In Team 3 4x14 Goodbye, Iowa 7 4x15 This Year's Girl 8 4x16 Who Are You? 5 4x17 Superstar 5 4x18 Where The Wild Things Are 7 4x19 New Moon Rising 6 4x20 The Yoko Factor 7 4x21 Primeval 9 4x22 Restless
5.86
***
8 5x01 Buffy Vs Dracula 5 5x02 Real Me 6 5x03 The Replacement 4 5x04 Out of My Mind 3 5x05 No Place Like Home 5 5x06 Family 9 5x07 Fool For Love 5 5x08 Shadow 4 5x09 Listening To Fear 3 5x10 Into the Woods 4 5x11 Triangle 5 5x12 Checkpoint 2 5x13 Blood Ties 5 5x14 Crush 7 5x15 I Was Made To Love You 7 5x16 The Body 3 5x17 Forever 7 5x18 Intervention 4 5x19 Tough Love 2 5x20 Spiral 2 5x21 The Weight of the World 6 5x22 The Gift
4.81
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3 6x01 Bargaining, Part One 3 6x02 Bargaining, Part Two 3 6x03 After Life 2 6x04 Flooded 2 6x05 Life Serial 1 6x06 All the Way 8 6x07 Once More, With Feeling 7 6x08 Tabula Rasa 2 6x09 Smashed 0 6x10 Wrecked 4 6x11 Gone 1 6x12 Doublemeat Palace 0 6x13 Dead Things 0 6x14 Older and Far Away 3 6x15 As You Were 1 6x16 Hell's Bells 3 6x17 Normal Again 2 6x18 Entropy 3 6x19 Seeing Red 2 6x20 Villains 3 6x21 Two To Go 2 6x22 Grave
2.50
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4 7x01 Lessons 1 7x02 Beneath You 5 7x03 Same Time, Same Place 1 7x04 Help 2 7x05 Selfless 4 7x06 Him 3 7x07 Conversations With Dead People 3 7x08 Sleeper 4 7x09 Never Leave Me 1 7x10 Bring On the Night 1 7x11 Showtime 3 7x12 Potential 3 7x13 The Killer In Me 4 7x14 First Date 2 7x15 Get It Done 5 7x16 Storyteller 0 7x17 Lies My Parents Told Me 4 7x18 Dirty Girls 0 7x19 Empty Places 2 7x20 Touched 2 7x21 End of Days 5 7x22 Chosen
2.59
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Post by cyclica on Aug 28, 2012 15:55:58 GMT -5
^ Interesting. I'm a little surprised that your highest rated season was only a 6.55. Of course the problem with averages is that an especially high or low episode can skewer the overall score for the season. In the case of s2, I think ted brought the whole year down for you. ..... I attempted to make a list like yours. However, looking through my old scores, I noticed a lot of 'high this' and 'low that' scores that would need to be translated into numbers. So here's my system- a score of 'high X' becomes 'X.8', a score of 'X-and-a-half' becomes 'X.6', a score of just 'X' is now 'X.3', and a 'low X' is now 'X'. I hope that's not too confusing, it was the best system I could come up with. I also realised I hadn't given the last three episodes a proper review/rating. So I gave them a rating based on my fuzzy memory (I haven't watched s7 in a few years), and made a few minor changes to the ratings for a few eps. 6 0x00 Unaired Pilot
7.5 1x01 Welcome to the Hellmouth 7.5 1x02 The Harvest 5.5 1x03 Witch 4 1x04 Teacher's Pet 8.3 1x05 Never Kill A Boy On The First Date 5.8 1x06 The Pack 6.6 1x07 Angel 4.8 1x08 I, Robot... You, Jane 6.3 1x09 The Puppet Show 6.8 1x10 Nightmares 7.3 1x11 Out of Mind, Out of Sight 7.8 1x12 Prophecy Girl
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3 2x01 When She Was Bad 6 2x02 Some Assembly Required 9.3 2x03 School Hard 6 2x04 Inca Mummy Girl 5.3 2x05 Reptile Boy 7.3 2x06 Halloween 5 2x07 Lie To Me 5 2x08 The Dark Age 7.3 2x09 What's My Line, Part One 7.3 2x10 What's My Line, Part Two 4.3 2x11 Ted 6.8 2x12 Bad Eggs 6.3 2x13 Surprise 7.8 2x14 Innocence 7 2x15 Phases 8.3 2x16 Bewitched, Bothered and Bewildered 7.3 2x17 Passion 8.3 2x18 Killed By Death 5 2x19 I Only Have Eyes For You 6 2x20 Go Fish 7 2x21 Becoming, Part One 8 2x22 Becoming, Part Two
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7.8 3x01 Anne 4.3 3x02 Dead Man's Party 7.3 3x03 Faith, Hope and Trick 5 3x04 Beauty and the Beasts 7 3x05 Homecoming 8 3x06 Band Candy 7.3 3x07 Revelations 8 3x08 Lover's Walk 8.6 3x09 The Wish 5 3x10 Amends 7 3x11 Gingerbread 7.8 3x12 Helpless 9.3 3x13 The Zeppo 7.3 3x14 Bad Girls 4 3x15 Consequences 9.3 3x16 Doppelgangland 6.3 3x17 Enemies 8.3 3x18 Earshot 7 3x19 Choices 7.3 3x20 The Prom 7 3x21 Graduation Day, Part One 7.8 3x22 Graduation Day, Part Two
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8 4x01 The Freshman 7.8 4x02 Living Conditions 6.3 4x03 The Harsh Light of Day 8 4x04 Fear, Itself 6.3 4x05 Beer Bad 6.3 4x06 Wild At Heart 5.6 4x07 The Initiative 7.3 4x08 Pangs 6.3 4x09 Something Blue 8.8 4x10 Hush 5.3 4x11 Doomed 8.3 4x12 A New Man 7.3 4x13 The I In Team 5.3 4x14 Goodbye, Iowa 7.8 4x15 This Year's Girl 7.8 4x16 Who Are You? 6.3 4x17 Superstar 6.8 4x18 Where The Wild Things Are 6.3 4x19 New Moon Rising 7 4x20 The Yoko Factor 7.3 4x21 Primeval 10 4x22 Restless
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7.8 5x01 Buffy Vs Dracula 6.3 5x02 Real Me 9 5x03 The Replacement 5.3 5x04 Out of My Mind 7.3 5x05 No Place Like Home 7 5x06 Family 8.3 5x07 Fool For Love 5.3 5x08 Shadow 4.3 5x09 Listening To Fear 3.3 5x10 Into the Woods 7.8 5x11 Triangle 7.3 5x12 Checkpoint 6 5x13 Blood Ties 6.3 5x14 Crush 8.3 5x15 I Was Made To Love You 10 5x16 The Body 6.8 5x17 Forever 7.3 5x18 Intervention 6 5x19 Tough Love 8 5x20 Spiral 6 5x21 The Weight of the World 7.8 5x22 The Gift
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5.3 6x01 Bargaining, Part One 4 6x02 Bargaining, Part Two 4 6x03 After Life 5.3 6x04 Flooded 6.3 6x05 Life Serial 3 6x06 All the Way 7.3 6x07 Once More, With Feeling 5 6x08 Tabula Rasa 3 6x09 Smashed 2 6x10 Wrecked 4.3 6x11 Gone 3.8 6x12 Doublemeat Palace 3.6 6x13 Dead Things 3.8 6x14 Older and Far Away 2 6x15 As You Were 3.3 6x16 Hell's Bells 5 6x17 Normal Again 6.3 6x18 Entropy 3.3 6x19 Seeing Red 4.8 6x20 Villains 4.3 6x21 Two To Go 4 6x22 Grave
***
6.3 7x01 Lessons 5.3 7x02 Beneath You 8.8 7x03 Same Time, Same Place 5.3 7x04 Help 7.3 7x05 Selfless 7 7x06 Him 6.3 7x07 Conversations With Dead People 3.3 7x08 Sleeper 3 7x09 Never Leave Me 2 7x10 Bring On the Night 0 7x11 Showtime 4.3 7x12 Potential 1 7x13 The Killer In Me 4 7x14 First Date 1.3 7x15 Get It Done 8.8 7x16 Storyteller 3.8 7x17 Lies My Parents Told Me 2.6 7x18 Dirty Girls 3 7x19 Empty Places 0.3 7x20 Touched 4 7x21 End of Days 7.6 7x22 Chosen
Averages =
S1- 6.5 S2- 6.5 S3- 7.1 S4- 7.1 S5- 6.9 S6- 4.3 S7- 4.6... I'm a little surprised my s1 and s2 scores came out the same. And I don't think my s7 score can be trusted as an accurate reflection of how I see the season - same time same place and storyteller really skewered the scores for the year there.
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Post by partcynic on Aug 30, 2012 14:33:22 GMT -5
Remember that from me, a 6 is a high mark, not a low one. The S2 average is basically saying that the entire season is between very good and excellent. I'd actually be concerned if any average was higher, because 1) there are no seasons where every episode is of 'excellent' standard; and 2) it would suggest too much lenience in my ratings. I don't think there's much of that - even the two big outliers in S6 ("OMWF" and "Tabula Rasa") don't stop the season's average from being close to the median score. Even if I'd given "Ted" a 5, it'd only raise the S2 average by a fraction of a point, so its impact on the year as a whole is negligible. Fair enough. Though when I was looking through your ratings, I mentally deleted all the decimals - I can 'feel' the difference between (say) a 6 and a 7, but not between a 6.6 and 6.8. I'm currently finishing my S7 rewatch. It's so painful - I've always disliked it, but I dislike it even more now. I was surprised too - especially with S5 being higher than S1/2 and almost equal to S3/4. But given that you've said before that your ratings are mainly on personal enjoyment (the only way "Living Conditions" could be rated equivalent to "Who Are You?" and "Prophecy Girl", which are vastly superior eps in every conceivable way), that's cool. And I always find agreement about dislikes more important than that about likes, so I'm pleased about the lowly status of S6 and S7.
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